Will Wood & the Tape Worms - Everything Is A Lot (2015 Mix) 2xCD
- 6up 5oh Cop-Out [Pro/Con]
- Front Street
- ¡Aikido! [Neurotic/Erotic]
- White Knuckle Jerk (Where Do You Get Off?)
- Cover This Song (A Little Bit Mine)
- Thermodynamic Lawyer Esq, G.F.D.
- Red Moon
- Lysergide Daydream
- First Step
- Jimmy Mushrooms' Last Drink: Bedtime in Wayne, NJ
- Chemical Overreaction/Compound Fracture
- Everything Is a Lot
- Format
- 2LP
- Genre
- Rock
- Discs
- 2
- Tracks
- 12
Double vinyl LP pressing. ""Everything is a Lot"" began it's long production in 2014, when the singer-songwriter was still 20 years old and performing drunken alt-comedy at open mics. With no funding, Wood led a slapdash band into the studio to bring songs mainly from his teenage years to life, and the unstructured production process and youthful experimentation gave it a uniquely loose and chaotic feel. The debut LP's sound is defined by Wood's Jay Hawkins-esque vocal delivery, an out-of-tune old upright piano, wailing wind instruments, jangly guitar, high-powered yet loose drums, and sardonic overdriven kazoo solos. Delivering everything from swing jazz and twee indie pop to pseudo-mariachi and waltz, these sounds and their accompanying bizarre lyrics come together to match the existential title, ""Everything is a Lot.""
- 6up 5oh Cop-Out [Pro/Con]
- Front Street
- ¡Aikido! [Neurotic/Erotic]
- White Knuckle Jerk (Where Do You Get Off?)
- Cover This Song (A Little Bit Mine)
- Thermodynamic Lawyer Esq, G.F.D.
- Red Moon
- Lysergide Daydream
- First Step
- Jimmy Mushrooms' Last Drink: Bedtime in Wayne, NJ
- Chemical Overreaction/Compound Fracture
- Everything Is a Lot
- Format
- CD
- Discs
- 2
- Tracks
- 12
2-CD set. ""Everything is a Lot"" began it's long production in 2014, when the singer-songwriter was still 20 years old and performing drunken alt-comedy at open mics. With no funding, Wood led a slapdash band into the studio to bring songs mainly from his teenage years to life, and the unstructured production process and youthful experimentation gave it a uniquely loose and chaotic feel. The debut LP's sound is defined by Wood's Jay Hawkins-esque vocal delivery, an out-of-tune old upright piano, wailing wind instruments, jangly guitar, high-powered yet loose drums, and sardonic overdriven kazoo solos. Delivering everything from swing jazz and twee indie pop to pseudo-mariachi and waltz, these sounds and their accompanying bizarre lyrics come together to match the existential title, ""Everything is a Lot.""
