Mikal Cronin - McIii (CD)
- Turn Around
- Made My Mind Up
- Say
- Feel Like
- I've Been Loved
- Bi Alone
- Bii Gold
- Biii Control
- Biv Ready
- BV Different
- Circle
- Format
- Vinyl LP
- Genre
- Rock
- Tracks
- 11
- Pressing
- Download Card
Mikal Cronin returns with MCIII. Marked by the lush arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply 'go big.' As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of 'just one string player,' Cronin arranged parts for a full string quartet instead. 'It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it,' he says. 'I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mashing everything together harmoniously. I like riding the line between the two,' he adds. 'I like finding new ways to bring different musical worlds together.'
- Turn Around
- Say
- Made My Mind Up
- Feel Like
- I've Been Loved
- I) Alone
- II) Gold
- III) Control
- IV) Ready
- V) Different
- VI) Circle
- Format
- CD
- Genre
- Rock
- Tracks
- 11
Mikal Cronin returns with MCIII. Marked by the lush arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply 'go big.' As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of 'just one string player,' Cronin arranged parts for a full string quartet instead. 'It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it,' he says. 'I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mashing everything together harmoniously. I like riding the line between the two,' he adds. 'I like finding new ways to bring different musical worlds together.'