Devendra Banhart - Flying Wig
- Feeling
- Fireflies
- Nun
- Sight Seer
- Sirens
- Charger
- Flying Wig
- Twin
- May
- The Party
- Format
- Vinyl LP
- Genre
- Rock
- Tracks
- 10
- Colour
- ClearBlue
- Pressing
- PosterDownload CardColored VinylClear Vinyl
""Flying Wig"" is an album of recurrent dualities; a can of paradoxes, a box of worms. The pine-surrounded cabin studio where Banhart was ""constantly listening to The Grateful Dead"" somehow birthed something slick, city pop-adjacent and eno-esque. It's the actualisation of a ""precious friendship"" with producer Cate Le Bon - a coming together prophesied by the mirror-image titles of their early solo albums (Banhart's ""Oh Me Oh My"" / Le Bon's ""Me Oh My""), a tenderness built on crude haircuts (""we finally met, soon after she was cutting my hair with a fork and that was that"") and home-made tattoos.
- Feeling
- Fireflies
- Nun
- Sight Seer
- Sirens
- Charger
- Flying Wig
- Twin
- May
- The Party
- Format
- Vinyl LP
- Genre
- Rock
- Tracks
- 10
- Pressing
- Download CardPoster
Vinyl LP pressing. Includes poster and digital download. ""Flying Wig"" is an album of recurrent dualities; a can of paradoxes, a box of worms. The pine-surrounded cabin studio where Banhart was ""constantly listening to The Grateful Dead"" somehow birthed something slick, city pop-adjacent and eno-esque. It's the actualisation of a ""precious friendship"" with producer Cate Le Bon - a coming together prophesied by the mirror-image titles of their early solo albums (Banhart's ""Oh Me Oh My"" / Le Bon's ""Me Oh My""), a tenderness built on crude haircuts (""we finally met, soon after she was cutting my hair with a fork and that was that"") and home-made tattoos
- Feeling
- Fireflies
- Nun
- Sight Seer
- Sirens
- Charger
- Flying Wig
- Twin
- May
- The Party
- Format
- CD
- Genre
- Rock
- Tracks
- 10
""Flying Wig"" is an album of recurrent dualities; a can of paradoxes, a box of worms. The pine-surrounded cabin studio where Banhart was ""constantly listening to The Grateful Dead"" somehow birthed something slick, city pop-adjacent and eno-esque. It's the actualisation of a ""precious friendship"" with producer Cate Le Bon - a coming together prophesied by the mirror-image titles of their early solo albums (Banhart's ""Oh Me Oh My"" / Le Bon's ""Me Oh My""), a tenderness built on crude haircuts (""we finally met, soon after she was cutting my hair with a fork and that was that"") and home-made tattoos.
