Cloud Nothings (CD)
- Understand at All
- Not Important
- Should Have
- Forget You All the Time
- Nothing's Wrong
- Heartbeat
- Rock
- You're Not That Good at Anything
- Been Through
- On the Radio
- All the Time
- Format
- Vinyl LP
- Genre
- Indie Rock
- Catalog No.
- LP-CAK-057
- Tracks
- 11
- Pressing
- Download Card
Put a few North American tours under it's belt. With all the internet notoriety and their recent signing with Carpark, Cloud Nothings are now able to record somewhere besides the basement. For a producer, Dylan chose Baltimore's Chester Gwazda, known for his work with Dan Deacon and Future Islands. Recorded this past August in a warehouse studio in Baltimore's famed Copycat Building (home to the original Wham City and many of the city's best musicians and artists), the self-titled Cloud Nothings album shines through with a crispness and boldness that Dylan has always envisioned. The songs now sound as they do live: full of energy, precision, and catchy bits. Dylan plays all the instruments on the album, but this time without the lo-fi scuzz. The excitement and emotion are practically jumping off the grooves.
- Understand at All
- Not Important
- Should Have
- Forget You All the Time
- Nothing's Wrong
- Heartbeat
- Rock
- You're Not That Good at Anything
- Been Through
- On the Radio
- All the Time
- Format
- CD
- Genre
- Indie Rock
- Tracks
- 11
Put a few North American tours under it's belt. With all the internet notoriety and their recent signing with Carpark, Cloud Nothings are now able to record somewhere besides the basement. For a producer, Dylan chose Baltimore's Chester Gwazda, known for his work with Dan Deacon and Future Islands. Recorded this past August in a warehouse studio in Baltimore's famed Copycat Building (home to the original Wham City and many of the city's best musicians and artists), the self-titled Cloud Nothings album shines through with a crispness and boldness that Dylan has always envisioned. The songs now sound as they do live: full of energy, precision, and catchy bits. Dylan plays all the instruments on the album, but this time without the lo-fi scuzz. The excitement and emotion are practically jumping off the grooves.
