Mixed by Moore and mastered by James Plotkin, the album unfolds as a ten-part song cycle navigating illusion and embodiment, ecstasy and annihilation, devotion and domination, the ancient and the algorithmic. The electric daemon is both an inner familiar and an externalized intelligence: the soul in the machine and the machine in the soul. The record asks not whether technology is sentient, but whether we are becoming it's living likeness. Tracks like ""Ambrosia"" sets a devotional tone, steeped in alchemical and cellular imagery, where spirit is embedded in matter and matter longs for transfiguration. ""Consolamentum Day"" draws on the annihilation of the Cathars in southern France, reframing medieval persecution as a recurring psychic event. On ""Fluid Window,"" with guest vocals by Rose Keeler-Schaffeler (KEEL-HER), the apple becomes touchscreen icon. The Living Likeness Of My Electric Daemon invokes the myth of Pygmalion and Galatea, refracted through the black mirror of the 21st century.
