Boy Meets Girl was envisioned as a soundtrack to an imagined horrorfilm about love. The core of the ensemble's song structures are often builtaround Koki's fuzz-laden guitar and Shin's drum bombast which propeltorrents of hisses and squelches from Taro and Etsuo. Taichi's largely lyricless screams, moans, and whimpers are potent messengers of the songs'emotional heft. There lies an ecstatic, excited energy amidst the anarchicdefiance ENDON's music exudes. Born of the same Japanese scenes thatgave rise to the likes of Merzbow and Boredoms, their sound is equallydiverse and abrasive. Boy Meets Girl demonstrates ENDON's singularfaculty to produce music that is at once tortured and transcendent1. Boy Meets Girl2. Heart Shaped Brain3. Born Again4. Doubts As a Source5. Love Amnesia6. Final Acting Out7. Red Shoes8. Not for You
