Saha Gnawa's self-titled debut pairs the Moroccan style of music known as Gnawa with NYC jazz and groove, channeling North African futurism through cross-cultural improvisation. Building off centuries-old practices, traditional song forms dissolve into psychedelic outer-space explorations.SAHA GNAWA brings North African futurism to the U.S., uniting the founders of Innov Gnawa with leading figures from New York City's jazz and contemporary music scenes to reimagine modern Gnawa music. Often referred to as 'Sufi Blues,' Gnawa is rooted in Morocco's ancient history. Over centuries, infectious rhythms and polytheistic spiritual beliefs originating from West African slaves integrated with Islam and the indigenous culture of Morocco, giving birth to a hybrid spiritual sect and musical community. The lyrics of Gnawa songs are prayers invoking saints and spirits for freedom and liberation. Gnawa music is revered and treasured throughout Morocco for it's soulfulness and healing power. The ensemble is co-led by MAALEM HASSAN BEN JAAFER, a master musician carrying forward generations of Gnawa tradition as the son of esteemed Maalem Abdullah Benjaafar of Fes. Trained in his father's officially recognized Gnawa school and by master musicians throughout Morocco, Ben Jaafer earned the title of Maalem (master) as a teenager-an honor bestowed only by consensus of other masters. He performs on vocals and guembri (a three-stringed bass lute) and has collaborated with artists like Randy Weston and leads the Grammy-nominated group Innov Gnawa. Co-leader DANIEL FREEDMAN, a drummer and composer, brings decades of experience collaborating with artists like David Byrne and Angelique Kidjo, as well as deep knowledge of traditions from Africa, the Middle East, and beyond. The ensemble also features AMINO BELYAMANI (Innov Gnawa, Dawn of Midi) and DAVID LIZMI (Innov Gnawa, Bombino) on qraqebs and backing vocals, JASON LINDNER (David Bowie, Now vs Now) on keys and synths, and GUILHERME MONTEIRO (Gal Costa, Forro in the Dark) and GILAD HEKSELMAN on guitars. Refined via late-night sessions at LunAtico in Bed-Stuy, Brooklyn, SAHA GNAWA explores trance-like states through it's intuitive interplay, allowing ancestral rhythms and melodies to drift into unknown territories. What emerges is both an authentic performance of centuries-old Gnawa tradition and a bold step into new dimensions of sound-where traditional song forms dissolve into ecstatic dance tracks laced with subtle electronics. Their self-titled debut album features guest appearances by NELS CLINE's textural brilliance on 'Hamudah,' ABRAHAM RODRIGUEZ's Yoruba invocations on 'Tbal,' and DONNY MCCASLIN's interstellar saxophone atop ROMAN DIAZ's congas on 'Negshah.'Tracklisting:A1. Soudani Manayou (feat. Nels Cline)A2. Babe MimounA3. Bacha Hamou (feat. Nels Cline)A4. Aicha (feat. Gilad Hekselman)B1. HamdouchiaB2. Tbal (feat. Abraham Rodriguez Jr. & Gilmar Gomes)B3. SandiyaB4. Negshah (feat. Donny McCaslin)